Bright lights, enormous rooms and a huge number of individuals. That was the pre-pandemic wedding. Marigolds tossed over the grass, delicate tints, the weak smell of its and the glow of your nearest friends welcome to the weddings of the present, that take us back as expected.
Throughout the previous 25 years the studio has resolutely pursued making their own interpretation of the ‘India Modern’ lady of the hour, not realizing that this lady in 2020 would be one that returns us to right around fifty years back.
This year studio endeavors to travel back in time. Wrestling with how the world has changed in under a flicker of an eye, it makes you need to clutch your convictions and your feeling of routineness like never before previously.
Designer Tarun Tahiliani unveiled his latest wedding couture collection – The Age of Innocence – as part of the ongoing FDCI’s Lotus Makeup India Fashion Week SS’21. This collection was the result of Tarun’s design studio introspecting, turning back the clock and grappling with how the world has changed in the blink of an eye. Today, one wants to hold onto their beliefs and sense of normalcy more than ever before. This year, the Tarun Tahiliani studio has held onto their roots as tightly as they possibly could – which is why celebrations feel even more sacred than they already were.
This is the year when we’ve clutched our underlying foundations as firmly as we could. Which is the reason our festivals feel considerably more sacrosanct than they as of now are.
The Tarun Tahiliani studio pauses for a minute to consider the lady of today and what her heart would need.
Opportunity. Joy. Expectation. Another feeling of extravagance.
One of the studio’s essential motivations for this assortment was the covered up minakari work one regularly finds in fine Indian adornments. That plan and those subtleties are just for the wearer. All things considered, isn’t that what genuine extravagance truly is?
Something just for you to know and experience. This is the thing that drove the studio to build up the new assortment in minakari colors – aquas, shell pinks, pale jades and tea roses. It was the juxtaposition of this motivation with that of Jaamevars that brought forth our new vision for the ‘India Modern’ lady of the hour.
